Writer, performance poet, comedian and songwriter.

Over the years Rod has staged many productions at the club including comedy revue Kulture Brake and readings of his own work.

He is a regular at the fortnightly Café Frug.

He wrote and directed SNOTTON TV - a satirical documentary film about St Ives. He has also published a talking book - The Dog Ate My Homework.

I make art from my life experiences, using many media including film-making.

In 2010 I won the jury prize at Cornwall Film Festival for best experimental film for ‘My Uncle was Always at Grandma’s”

I observe - a flaneur - drawing swiftly. Sometimes I involve people by giving them a drawing in return for their contribution to my work.

My images can be celebratory or protesting, expressing ideas and feelings.

I seek exhibition opportunities

My work is an attempt to recreate the atmosphere and feeling for a particular place or setting, rather than just a visual representation.

Cornish light..City Life work is a abstract respective of memories of figures people , light.

Tying in with my pallet which reflects the Cornish light in St Ives and rugged texture of the landscape where I am based.

Poet, Musician, Film-maker.

I have lived all over this planet and have now settled in St Ives.

And from the muffled vaults of hysterical abstraction I climb the wall bars of mundane echoes to scream at you from the roof tops of empirical thoughtlessness.

House Manager of the Arts Club, Sound Engineer, Radio show DJ.

Along with managing the general running of the club and dealing with the bookings Jordan is a freelance sound engineer. Using either booked studios or his own home set-up he has recorded many of the local musicians.

He also produces two weekly radio shows, one of which he hosts himself.

Professional artist and art tutor

Doris Lindemann is a painter and printmaker. She likes to work with all kinds of mediums but her clear favourite is oil paint. She paints landscape and from life, both in the widest sense of the word.

She runs Ultramarine Studio where she teaches painting and drawing to local artists and organises painting holidays in St Ives and in Turkey.

Doris is currently the president of the Arts Club.

Sally MacCabe is a mixed media artist working in St Ives. Sally specialises in abstract paintings in a subtle palette featuring applied text, papers and ephemera - she also produces designer jewellery using semi-precious stones.

Sally’s Studio Gallery at 17 The Terrace, St Ives is open most days and visitors are welcome to come and see work in progress and browse her sketchbooks.

Sally currently runs the Arts Club’s Monday Art Group.

Professional artist exhibiting in the UK and the USA.

As well as being an artist and masseur she runs meditation workshops and counseling around death and dying in Cornwall, Dorset and London.

Professional flautist and Swedish/German to English translator specialising in medical texts. Moved to St Ives 2004.

Has played flute with Royal Philharmonic & BBC Philharmonic Orchestras, English Concert, Göttinger Symphonieorchester, Östgöta Blåsarsymfoniker, and in Lion King (West End) - and locally at Tate St Ives, Hepworth Sculpture Garden, Acorn Arts Centre, Falmouth Arts Centre, Minack. Formerly lecturer in flute at Colchester Institute, Anglia University, Göttingen University.

Promotes classical & ethnic concerts, incl. at St Ives September Festival, St Ives Arts Club (World Classics Series) and Tate St Ives (Indian music).

Member of Tate St Ives Members, St Ives September Festival and Arts Club committees.

Interests: wine, gardening, films, cookery, politics, sculpture, humour, theatre, dance.

The Cornish land and seascapes, offers a broad and diverse source of imagery for a new painting language. The ambiguity between abstraction and representation in my work can be traced back to studies under Rod Pountney, in particular the method of drawing from the model and the dialogue with Colour.

The dialogue between abstraction and representation has never been problematic for me. I aim to describe the abstract element underlying the more powerful forms of realism. It begins with an idea basted on strong observation, and ends with creating a sum greater than its parts.